I remember seeing “Eye on the Prize” when I was very young, and I knew that was the movie that spoke to my soul, and said, “I want to do that when I’m older.”

Sly Stone, a Grammy winner whose pioneering funk-rock group Sly and the Family Stone produced groundbreaking albums and singles — three of which topped the Billboard Hot 100 — and was the subject of this year’s feature documentary Sly Lives!, died today. He was 82.

Zoë Kravitz (“Blink Twice”) and Matt Reeves reunite after working together on “The Batman.”

Join us at UASE 13 on Saturday, October 25th at Regal Times Square Theaters!

Colman Domingo and Kieran Culkin on Why Acting Methods Are Useless and Objecting to ‘When Actors Call Themselves Storytellers’: ‘Sorry, Jeremy’ Strong.

Discover why Steven Seagal—a martial arts star once feared and respected—went from hiring Michael Jai White multiple times to publicly dismissing him in a viral interview.

Sterling K. Brown earned a supporting Oscar nomination last year for his role opposite Jeffrey Wright in 2023’s “American Fiction.” But Brown is clearly ready to prove that he has staying power as a leading man.

Social and technological advancements also continue to aid our rediscovery of past great works like Zeinabu irene Davis’s debut feature Compensation, which embarked on its first wide release this past Friday just over 25 years since its festival debut.

Roberts spent 12 years at Lucasfilm, most recently serving as vice president of development, where she was instrumental in the development and production of several entries in the “Star Wars” franchise including “The Force Awakens,” “Rogue One,” “The Last Jedi” and “Solo.” She also worked on the Disney+ series “The Acolyte.”

Zoe Saldaña (“Emilia Pérez”) and Kate Winslet (“Lee”) have an “Avatar” reunion and discuss working with James Cameron, why they consider acting “sacred”, and fighting self-doubt while choosing roles.

“He just happens to be the first domino of a new revolution to a bunch of rules that we are still using today in making music. Sly was at the very beginning of multi-track recording, like the idea of being the ‘bedroom musician,’ doing everything yourself…”

The actresses swap candid stories about working with directors who take unusual leaps in the latest installment of TheWrap’s longform video series.

Today, though, Jolie and Erivo have gathered not to discuss Broadway, but to delve into their recent film roles. Jolie’s “Maria” begins on the day of opera diva Maria Callas’ death, then rewinds to her final days — with flashbacks to her career triumphs, heartbreaks and childhood of trauma.